Untitled
phytos:

Stephen Criscolo, Headrush.

phytos:

Stephen CriscoloHeadrush.

ruineshumaines:

Skeleton make-up, by Mademoiselle Mu.

staceythinx:

If these photos remind you of paintings, they’re supposed to. Photographer Alfonso Calero was inspired by the paintings of Mark Rothko when he made this series of landscapes using a variety of techniques.

staceythinx:

If these photos remind you of paintings, they’re supposed to. Photographer Alfonso Calero was inspired by the paintings of Mark Rothko when he made this series of landscapes using a variety of techniques.

free-parking:

Valerie Hegarty, Flower Frenzy, 2012

ruineshumaines:

Luzinterruptus - Literature Vs. Traffic.

Spanish art collective Luzinterruptus is at it again. This past June the group travelled to Australia to create a massive, traffic-stopping installation using thousands of glowing books scattered across Federation Square in Melbourne. Titled “Literature vs Traffic” the installation was created using books that had been collected by the Salvation Army after being discarded from public libraries. The project aimed to take control of public space and install itsel in the streets, stealing precious space from the dense traffic in the area. (via)

ruineshumaines:

Luzinterruptus - Literature Vs. Traffic.

Spanish art collective Luzinterruptus is at it again. This past June the group travelled to Australia to create a massive, traffic-stopping installation using thousands of glowing books scattered across Federation Square in Melbourne. Titled “Literature vs Traffic” the installation was created using books that had been collected by the Salvation Army after being discarded from public libraries. The project aimed to take control of public space and install itsel in the streets, stealing precious space from the dense traffic in the area. (via)

ruineshumaines:

Cloud by Caitlind Brown.

‘Cloud’ is a large-scale interactive sculpture created from 6.000 light bulbs, new and burnt out. Constructed by artist Caitlind Brown and collaborator Wayne Garrett. As part of the process of creating the sculpture, Brown collected burnt out incandescent light bulbs from local households, businesses, museums, and eco stations. The idea was to create an informal collaboration between the community and the artists, reduce costs, and experiment with the potential of items post-use.